When you live in a land where 1/2 the year is winter, and you find yourself rushed through spring and plopped down in the midst of the hottest summer on record, what to do?
Sun dyeing! In this case, HOT sun dyeing!
I had several jars of assorted dyes kicking around from last year (I can imagine the active dyers among you cringing) -- some Dylon, some acid dyes (for yarn especially), and some MX dyes (for cotton and linen). I decided I didn't care about the type of dye; I was simply going to put assorted fabric -- already pre-treated with soda ash -- into large glass jars, pour in dye (even more than one type in a single jar), stick 'em out in the 39 C sunshine for a couple of days, and see what would happen!
I'm pretty sure I've written somewhere how that, while I admire shibori-style dyeing, with folds and clips and knots and such, I don't want to do it. The closest I've come to it is either wrapping and tying fabric around PVC pipe and then putting it in dye or applying dye with a pipette or whatever. I prefer the serendipity of "scrunch" dyeing (also known as 'parfait' dyeing) -- where you scrunch prepared fabric into a container, and either pour dye over it as you go -- in layers, like a parfait -- or after it's scrunched into the vessel.
That's pretty much what I did with this fabric. Two pieces were silk twill. Another couple were cotton from my "inheritance" fabric (thanks again, Joan!) and there was one light-weight cotton 'scarf' that had been dyed a rather bland beigey pink (is beigey a word?!) in a workshop some years ago. A 'natural dye' workshop, I think.
Here's how they started out. The turquoise is the "inherited" cotton; the others are silk twill. The over-dye piece isn't shown.
Now...here's how they turned out.
The "inherited" white cotton was in a turquoise acid dye, so of course (because it's plant fibre and not animal fibre) it didn't take the colour deeply. But surprise! Only after I dyed it did I realize it had an embossed motif (see the circled area)!
The silk twill was treated with random pourings, parfait style, of golden yellow and scarlet acid dyes:
|Main colour: golden yellow; |
secondary colour: scarlet
|Main colour: scarlet;|
hints of golden yellow
Last but not least, there's the over-dye -- from bland "beigey pink" to..."Everything But the Kitchen Sink"! 😉
I really have no idea what I'm going to do with any of these, but there's gold to be mined in there come winter, with the hopes of the return of art exhibits and sales in my area -- let alone anywhere else!
And yet...there's more. Stay tuned for Part III, as I link this up to Nina-Marie's Off the Wall Friday, too.
Have a great week!