Out from Under the Dome -- Part II

When you live in a land where 1/2 the year is winter, and you find yourself rushed through spring and plopped down in the midst of the hottest summer on record, what to do?

Sun dyeing!  In this case, HOT sun dyeing!

I had several jars of assorted dyes kicking around from last year (I can imagine the active dyers among you cringing) -- some Dylon, some acid dyes (for yarn especially), and some MX dyes (for cotton and linen).  I decided I didn't care about the type of dye; I was simply going to put assorted fabric -- already pre-treated with soda ash -- into large glass jars, pour in dye (even more than one type in a single jar), stick 'em out in the 39 C sunshine for a couple of days, and see what would happen!

I'm pretty sure I've written somewhere how that, while I admire shibori-style dyeing, with folds and clips and knots and such, I don't want to do it.  The closest I've come to it is either wrapping and tying fabric around PVC pipe and then putting it in dye or applying dye with a pipette or whatever.  I prefer the serendipity of "scrunch" dyeing (also known as 'parfait' dyeing) -- where you scrunch prepared fabric into a container, and either pour dye over it as you go -- in layers, like a parfait -- or after it's scrunched into the vessel.

That's pretty much what I did with this fabric.  Two pieces were silk twill.  Another couple were cotton from my "inheritance" fabric (thanks again, Joan!) and there was one light-weight cotton 'scarf' that had been dyed a rather bland beigey pink (is beigey a word?!) in a workshop some years ago.  A 'natural dye' workshop, I think.

Here's how they started out.  The turquoise is the "inherited" cotton; the others are silk twill.  The over-dye piece isn't shown.

Now...here's how they turned out.

The "inherited" white cotton was in a turquoise acid dye, so of course (because it's plant fibre and not animal fibre) it didn't take the colour deeply.  But surprise!  Only after I dyed it did I realize it had an embossed motif (see the circled area)!

The silk twill was treated with random pourings, parfait style, of golden yellow and scarlet acid dyes:

Main colour: golden yellow; 
secondary colour: scarlet

Detail photo!

  

Main colour: scarlet;
hints of golden yellow

Detail photo!

Last but not least, there's the over-dye -- from bland "beigey pink" to..."Everything But the Kitchen Sink"!  😉

I really have no idea what I'm going to do with any of these, but there's gold to be mined in there come winter, with the hopes of the return of art exhibits and sales in my area -- let alone anywhere else!

And yet...there's more.  Stay tuned for Part III, as I link this up to Nina-Marie's Off the Wall Friday, too.

Have a great week!

Working with the Weather

In a land of fairly distinct seasons -- the longest of which seems to be winter -- the weather is a never-ending source of fascination and discussion.  When I have snow, I snow dye.

And, when I have hot sunshine, well...

Friday, July 28 was hot and sunny -- one of many such days, often very hot for this part of Canada, this summer thus far.  I decided that I really shouldn't waste any more of the heat, and set out some jars of silk fabric and merino fleece in acid dye, for solar dyeing.  While I have the book Teach Yourself Visually Hand-dyeing by Barbara Parry, I also pulled an online reference from "jazzturtle", which I found to be the perfect complement to the process.

Following their instructions, I managed to fill nine large glass mason jars (ones too large for the jam-making I do) with combinations of silk fabric in various weights and weaves, and clean, uncarded merino fleece purchased on the cheap at a fibre festival several years ago.

The acid dyes I own aren't new either.  A couple -- hot pink and an orange -- are from Jacquard.  They needed the acid (I used plain white vinegar) added to them.  The others are from Gaywool, and already include the acidifier/mordant.  I bought them -- yes, several years ago -- at a knitting/spinning retreat.

Knowing the older these dyes get, the less effective they can be, nonetheless I persisted, and put the jars out in the sun:

Typically, the weather almost immediately got partly cloudy and cooled off.  I alternated setting the jars under a black plastic garbage bag -- to attract and hold in the heat -- and leaving them out.  We had a few evenings with thunder storms and at least one day of rain.  I remained undeterred; I had time.  I left them out -- moving them from time to time for better sun advantage -- for a full week. (Remember, this is Central Alberta, Canada, where temps in the high twenties and low thirties Celsius are rare, and don't last all day.  It cools off at night here -- and sometimes even before sundown, and doesn't get past the teens till well after sunrise.)

Last Friday, I decided it was time to reel them in.  The liquid in the pink and the orange jars (Jacquard dye) was almost clear, so I knew they'd be "done".  The deep reds and red-browns and brown-blacks?  Not so much.  I rotated ALL the jars through a 30-minute steam bath in a large kettle...then rinsed them in Synthrapol...and laid/hung them out to dry.  I must say, I'm pleased with the results!

Silk "brights"

Silk "earth tones"

Merino Fleece - "earth tones"

Merino Fleece - "brights"

I plan to use the 'earth tone' fleece largely in needle-felting projects; the brights I hope to tease out and try to spin them.  We'll see...because there are a great many "short cuts" in that fleece.  That's why it was so inexpensive in the first place!

As for the fabric...it will make its way gradually into various art pieces, as the Muse leads.

The idea is to use the dyes and the fabric and the fleece, not treat it as 'too precious' and thus hold onto it.  Life's too short not to play with these materials while I can!

Linking up to WIP Wednesday on the Needle and Thread Network -- for the first time in ages -- and wishing you all a lovely rest of the week!