Wednesday, February 08, 2012

W.I.P. Wednesday

This week's Work In Progress has been my studio.  Since I finished my Orca Bay Top a week ago, I've been spending a few hours almost every day sorting the explosion that it left in its wake.  My mission: to locate the top of my cutting table!  This is what greeted me this morning:


Believe it or not, this was significant progress.  I decided that one last push through today would do the trick.  Now the day is over, and I made it!  Yes, I still have a couple of baskets of scraps to press, cut and categorize into strips, bricks and/or squares:


Once they're cut and pressed, the blocks and bricks will get put into these labelled baggies:


The strips will be stacked with these, ready to use in a "string quilt" not unlike the one in Bonnie's Primer.


In the process of sifting and sorting, I found I had an abundance of black-and-white scraps, and blue-and-purple scraps, so I'm thinking I might even get two 'stringy' tops out of 'em -- one in B&W (with a shot of red here and there) and one in blues/purples/blue-greens.  I saw material I hadn't seen in ages, and even remembered what I did with some of it!

Now it's time to put my feet up with a cuppa decaf and my current mystery, Maggie Sefton's Unraveled.  I think it's the latest in the series, and when I've finished it, I'll have read them all.  Ms. Sefton's books fall into what I'd call 'cozy' mysteries -- no gratuitous violence, lots of use of brain-power to solve the mystery, and a bit of humour and romance for added fun.  Perfect after a day largely spent on my feet at cutting table and ironing board!




Monday, February 06, 2012

Kinda Neat...

That my quilty associate, Cathy, and I seem to be on the computer -- reading and posting -- at just about the same time every day.  That makes me smile!

She -- and her work -- has been just one of the people I've gotten to know a bit (better) via the Orca Bay Mystery Quilt project and its regular Monday link-ups.  Today is the final link-up, and it's fun to see what the other quilters have done with their tops (or TIPs -- Tops In Progress)!  It's also inspiring and interesting to see what others have done to interpret the pattern via colour(s), or the border(s).  I stuck to the black-white-blue-red combo because I love those colours and have (yes...still have) a good amount of them in my fabric stash and scraps.  However, I did do a couple of wee things with the borders: I used black (instead of white) for the inner border, and I inserted my left-over blue strippy squares into the top and bottom borders instead of making more quarter-square triangles to fit.

Now the top is resting until I can a) finish cleaning up my studio from the explosion of scraps generated during the project; b) figure out what I have on hand for backing and batting; and c) finish taking my online class on "Quilting Big Projects on a Small Machine", taught by Ann Petersen over at Craftsy.com. (Totally worth the price of admission -- and it's currently being offered at a discount! And no, they didn't pay me to mention this!)

In addition to studio sorting, I have continued to stitch.  :-)  Once again it's time to post my block for the Crazy Quilt Project and TAST Week 5 -- Herringbone Stitch.  Unlike the stitch for Week 4, I really enjoyed this one.    The tie I managed to pick from my stash (remember, I dig into that drawer with my eyes closed.  Honest.) was a pretty one, too.  Here's the block and a couple of detail photos:

CQJP - February 2012

Detail 1

Detail 2

Now I must dash -- it's Monday, and I'm due to spend the rest of the day (as usual) in Lacombe.  Have a good one!

Sunday, February 05, 2012

Do You Remember...

your parents' friends?

Mom & I, summer, 1997
I didn't have any grandparents growing up.  My mother's mother died when I was two or three; my father's when I was 10, but she'd suffered dementia for years and had no idea who I was. My step-father's mother, known as Grammie, came into my life when my mother re-married in 1957.  Although she treated me as one of her own, she was a sturdy, reserved Brit who'd had a tough life as the single mother of three lively boys (her husband was killed in France in WW I and is buried there; my step-father, her youngest, was 2 at the time), and she wasn't prone to coddling kiddies so she didn't pamper any of her grandchildren far as I know!   As a result, I tended to latch on to women who were friends of my parents, looking for a grandmother.

One such woman was Mary Kerr -- affectionately known as "Mame" to adults, but definitely Mrs. Kerr to me (children in those days never called adults by their given names, nor were they ever asked or expected to do so).  Mrs. Kerr was the age of a potential grandmother (i.e., she and her husband, already long retired, were a good 15-20 years older than my parents)  Of an afternoon, you could find me at her kitchen table, chatting her up while she took a smoke-and-coffee break over her baking or ironing or whatever she was doing.  Unlike my peers, she appeared actually to be interested in what I thought and what I had to say.  Even after she was widowed and living in a small apartment "in town", I managed to correspond with and visit her; she died shortly after I was married in 1975.

Another such woman was Mrs. Reeves Ryser, whom I met in the fall of 1969, at my high school graduation, when I received a bursary created by her family.  Apparently I was the first girl to win the prize, and the last person to whom she presented it in person.  I kept up an occasional correspondence with her for several years till I eventually lost track of her.  It turns out, I find out now as I look, that she died in April 1975, and is interred at Hillside, the rural cemetery founded by my great-great grandfather's brother, and in which my father and most of his family -- and my husband -- is buried.

Mrs. Joyce Barkhouse, Author
Now I have been notified of the death of another long-ago family friend, children's author, Mrs. Joyce Barkhouse.  When I knew her, though, she had yet to become an author.  At the time, she and her husband were probably in their late forties, with almost-grown children.  They were part of the influx of Montrealers and others who acquired an interest in lake-front lots on a bay between St. Anicet and Cazaville, Quebec, leased out by farmer Gaston Dupuis and later sold by him to many of those same people -- including my parents.  Alas, Mr. Barkhouse died in 1968, and Mrs. B. moved back to her native Nova Scotia.  It was in the early seventies that she published her first children's book, George Dawson: The Little Giant -- but she was best known for her award-winning story, Pit Pony, later made into a television movie by the CBC.  

Our paths crossed again in 2007 when I was working at Logos Books in Calgary, and came across a photo of her -- likely in reference to Pit Pony, which I believe the publisher was considering for re-release.  I managed to track her down and write her a letter, to which she replied most graciously.  By then in her early nineties, she still lived independently and maintained a lively interest in things literary.  She had a burgeoning family -- not only grandchildren but also great-grand-children, who were clearly the lights of her life (she sent me photos).  

Mrs. Barkhouse died February 3, just a few months shy of her 99th birthday, having lead a rich, full life.  Remembering her, I remember those years at The Lake, and am reminded what a treasure it is to be able to read and write, and what a gift she gave to children (and their parents!) when she carved out a new career as an author in her mid-fifties.  Thank you, Mrs. Barkhouse.  You will be missed.

Thursday, February 02, 2012

After My Own Heart

I love to write letters.  I still send 'paper' cards at Christmas and for birthdays and anniversaries whenever I can, and usually add a personal note.  I'm not much of a card maker; rather, as a lover of beautiful stationery and pens (I'm still trying to find an affordable fountain pen, as I can't get refills for the two I have, and one has lost its 'bladder' for filling from a bottle), I've never passed a stationery store without going in to fondle the wares and breathe in the smell of ink and paper-stuffs.

I had my first pen-pal at age 10 and although ours is now a hit-and-miss e-mail correspondence, we did manage to keep it up for 30 years till, as They say, "Life got in the way."

Alas, this challenge is not so much a call on my time or motivation as it is on my finances.  It costs a minimum of $0.61 CAD per letter or postcard (yes, Canada Post prices these at the same rate) within Canada, and the current letter/card rate to the US is $1.05; to other countries, $1.80.  Thus writing a daily letter to a Canadian friend would run me almost $18 for February's 29 days, and over $30 if I sent them all to the US -- over $50 if they all went to the UK or Europe or wherever!  And that's assuming I have a supply of stationery on hand (which, being me, fortunately, I do).

It would seem that our postal service wants to have its cake and eat it too: it complains that there's not enough genuine mail (i.e. NOT advertising!) going out (i.e., demand is declining), but it's not making it easy to send letters for those who are so inclined -- and who are often of the Older Generation, on fixed incomes.  For me, it means that it's tough to do this "challenge" on the spur of the moment, because it's not worked into my budget -- whereas the cost of e-mail is (it;s part of my monthly internet billing).

So...my hard-copy letter-writing will continue as it has now for some time: at Christmas, for thank-yous, birthdays, anniversaries, new babies and other special occasions.  Now, who'd like a daily e-mail?

Wednesday, February 01, 2012

On the Heels of the Documentary...

Why Quilts Matter -- a nine-part series that looks at the history, traditions, art and politics of quilts and quilting -- the Board of Studio Art Quilt Associates (SAQA) has revised what that organization considers an art quilt.


"In a Mountain Greenery" - 2011
Layers and stitch remain essential elements, but what is layered and how it's finished now has broader scope for interpretation.


Finished Top!

Yes, Gentle Readers, the top of my Orca Bay Mystery Quilt is finished!

Full out on my kitchen floor!

Corner detail

Centre (on each of 2 sides) detail

I confess I have no idea when I'm going to sandwich and quilt it, but it won't be soon.  :-)  I need to take a break from this project, figure out what I have on hand for backing, and check my batting supply.  I think, as Bonnie did, the quilting will be an overall pattern -- likely in a neutral thread (I'm thinking white or pale grey) that will blend in and not detract from the piecing which, if I may so myself, has completely floored me with its success.  Will I do another top with as many pieces any time soon?  Not on your life!  However, I have become a rabid scrappy quilter, so there will be more tops churned out.  As for the leftover 'crumbs' -- I'll be converting those into art pieces with fusing and tulle for free-motion quilting practice...

Knitters! Gear Up!

Happy February!

Whether or not Balzac Billy sees his shadow tomorrow (Groundhog Day), this month tends to be one of 'puff and blow; fill the ditches full of snow'.

The World Wildlife Fund here in Canada is reminding everyone that there's more than one way to stay warm.  February 9th is National Sweater Day!  "Pick up your pointy sticks -- it's time to Cast On!" -- Brenda Dayne.



Grannies around the world know best!

Tuesday, January 31, 2012

That's *Cretan* -- NOT 'Cretin'!

Or is it?!  Gosh, I had trouble with the Cretan stitch for TAST Week 4!

In the end, I persevered -- with not one, not two but all three stitch reference books open at one time or another.  I managed to get the hang of the 'closed Cretan' far more easily than the open version.  I even tried "Raised Cretan".  Sigh.  In the end I tried to unify the sampler with flowers and beads, repeated in the lace trim at the bottom.  I added a spider too; can you see him?  I don't like spiders much, and don't like this block much.  Seeing as spiders are popular embellishments for crazy quilt blocks, I decided he and this block deserved each other!

Week Five begins today with Herringbone stitch, which I much prefer.  :-)

In the Orca Bay, the inner borders are on, and pieced borders have been sewn to each side.  Here's a peek at how it's shaping up.  What amazes me is that the pieced border fit exactly.  Wow.  How'd I manage that?!


Saturday, January 28, 2012

Lest You Think I've Been Idle...

Here's some visual evidence of activity in the 3F studio:

I've been commissioned to make a pair of 'Non-felted Slippers' (the pattern, by Yuko Nakamura, is a freebie on Ravelry) -- out of alpaca (!) because the recipient can't wear wool next to her skin.  The only stuff I hand on hand (and yes, I'm using stash yarn) I bought ages ago from elann.com, once with a sweater in mind, so it's DK (double-knitting) weight.  This means I'm using 2 strands together to make these chunky-weight slippers.  Pictured is Slipper #1, almost finished, and I think it's turned out quite well.




While waiting for help from Ravelry on the pattern (short rows required were not explicitly stated in the pattern, so I am grateful to the clarification from two knitting buddies!), I worked on my Cable Rib Sock, and managed to finish the heel.   This Jawol yarn is fine -- there are 32 rows in that heel flap!

Drifting along on Orca Bay...I finally assembled 4 dozen pair of border blocks.  Here they are piled, awaiting pressing.  Today, they'll be fully assembled, and a border created!










And...in the C&G alcove of the studio, I finished Activities 12 and 13 of Module 5.  These assignments were all about contrast and scale when designing, using the example of a Star-in-a-Star block.

First, we worked some samples in our sketchbooks, using collage techniques.  Tracing the pattern for the block on the back of paper I'd created in an earlier module, and cutting out the pieces, enables the creation of a pair of blocks, thus.

Collaged Block 1
Collaged Block 2








Collaged Block 4
Collaged Block 3

Next we combined colouring with collage to create a third pair of blocks, to see the effects.


Collaged Block 5
Collaged Block 6












And finally, we were required to create a block in fabric, based on one of our collages.  My points, alas, aren't particularly sharp.  I used a very light-weight scrap from stash for the background; my green hand-dyed fabric wasn't much heavier. Both were hard to work with versus the black scrap, which was, of course, heaviest. I coped by adding Mary Ellen's Best Press and pressing fiercely!