It's been another challenging year. At least, that's the sense I get from reading the blog and Facebook posts of others, and from the YouTube broadcasts I've been watching -- and that's not just the newscasts, either.
The globe as a whole is still trying to come to grips with Covid variants, other respiratory viruses, war (especially sourced by Russia, but rumbling between Croatia and Serbia), persecution (Iran, Russia), climate change, and the continued rise of far-right, often downright fascist, leadership in politics. Sheesh!
I continue to take refuge in working with my hands. The Christmas gifts for friends and family were a hit, as far as I can tell, though I've not heard from a couple of the recipients (I'm not holding my breath on that front, either).
I recently sent off a cute little thing, just for fun, to a friend whose birthday is this weekend. She might even get it today if Canada Post is working properly! It's a "small" that reflects our mutual interests -- at least in part!
|Free Pattern from Helen D -- East Coast Crafter|
I stuffed it with some wool batting, torn into pieces to make it fluffier, and backed it with appropriately-themed fabric from my stash.
I finally did up the December mini-bouquet -- the last of Jeannette Douglas' free patterns that were published on her website monthly, starting in January. They'll be there till tomorrow (end of day, December 31)...so if you've missed 'em and want 'em...go HERE ASAP!
Here's what the last one looks like -- so pretty!
I still have the outside border to finish, but the inner, horizontal borders are all in place between the rows of motifs. It's been fun to stitch these -- little rays of sunshine each month!
On Christmas Eve I started a new sampler, in memory of my cousin Margo Davison de Martinez of Seville, who died last month at age 80. I saw her last when my family visited hers in 1992, and have very fond memories of that time. She'd moved to Spain almost 30 years before that when she married a Spaniard -- a dear man who died a couple of years ago. We're 10 years apart in age, so my visit to Spain when she was 50 and I was turning 40, was the first time we really communicated as adults (I was 12 when she married and moved away). I have very special memories of that visit.
This is a Spanish sampler entitled Bernarda Bellon 1838, reproduced by Birgit of The Wishing Thorn. It's done on 36-count Antique White Edinburgh from Zweigart, and I'm using the called-for DMC cotton floss, 1 strand over 2:
|Note: progress as of Wednesday, Dec. 18;|
I've done more than that as of this writing!
As you can see, it's very pastel, and will be pretty and delicate when finished. I'll be sending it east to Margo's younger sister in Montreal, who's expressed a desire to have it.
The cross-stitch community seems to be forever coming up with ways to celebrate seasons and occasions (to whit: my Christmas Eve start), and New Year's Eve will be no different! There are a couple of young women who've come up with a "12 x 12" project -- twelve starts in 12 hours on December 31, from 12 noon to 12 midnight. One of the originators is Kea Bee, a stitcher and quilter, who has a FlossTube broadcast and is on Instagram. She explains the process on her FlossTube here. It's evolved into two streams: 12 starts or 12 new starts, and there will be a series of live visits on Instagram.
I'm not active on Instagram, but have decided to follow along in spirit -- mainly working on WIPS. I don't have 12, but I can work on the ones I do have on a rotating basis. One will be that border on the mini-bouquet, one will be "Bernarda Bellon 1838", one will be "Ruth Gibb 1882" that's about 1/2-finished. I also have a couple of Blackbird designs in process, and my "Ann Turtle" sampler that I started for Sampler September.
I do have one new start I want to make: a four-seasons kit -- "Everchanging Seasons" by Elsa Williams, which I bought in another life! LOL! It's now only available on the secondary market, as far as I can tell, but it's very pretty. I came across it in my stash earlier this year and decided to wait until winter so I could start it on the left-side of the fabric:
The kit comes with 14-count aida fabric in white, which I'm going to use, as well as all the floss, numbered, in a floss organizer. I've prepped the fabric (zig-zagged the edges) and am ready to go!
Now that the Christmas knitting is past for this year, I've turned again to sweaters that I started some time back. Yesterday I finished my Tulip II -- and will post a photo before too long. I'm wearing it, and don't do "selfies" that are of any quality, so, patience, my friends!
I'm also working on a tweedy over-sized pullover and the Sock Knitter's Pullover (also oversized)...and pondering.
You see, Santa spent Christmas Day sending me into paroxysms of laughter by dropping off packages of yarn -- they just showed up like magic, all day long! So despite my diligent efforts to reduce my stash, it has now been increased by these items:
First, 100% wool from Condon's Yarns, late of PEI (closed in 1989)
|2-ply Medium -- ie., light worsted weight|
-- two 113-gram skeins
|2-ply Medium -- two 113 gm skeins|
|2-ply Fine (like a DK weight)|
-- three 113 gram skeins
|A 3-ply worsted weight -- 18 skeins or part-skeins;|
some are about 100 grams
|Ditto -- 16 skeins or part-skeins|
What the heck is it made of? It's a very crisp, rustic yarn. I took a match to one end -- twice -- and got a brief flame which self-extinguished, producing a bit of ash and a tiny, hard end -- but not the typical 'bead' you get when burning 100% acrylic.
I knit a swatch of the khaki-heathered colour (top photo):
I cast on 20 stitches on 4.5 mm needles and knit 26 rows -- including cast-on and cast-off. At this point (before washing/blocking), it measured 5" W x 4" L, or about 5 stitches and 5 rows per inch.
I washed it by hand with a hair conditioner rinse, and it softened up somewhat. It didn't really change much in size.
Then I decided to throw it in the laundry with my socks, in a net bag, using eco-friendly detergent in a top-loading washer, on a warm wash with a cold rinse. When it came out -- still damp -- it measured 4.75" W x 4.75" L, but hadn't softened up much more.
Throwing caution to the wind, I threw it in the dryer on my 'Permanent Press/Easy Care' cycle. It curled up, and appeared to have felted ever so slightly. It still had the same 'hand' (softer than when knit but unchanged from the hand-wash), and still had beautiful stitch definition. It now measured 4.5" x 4.625" (i.e., almost square).
I'm guessing it's some sort of acrylic-wool blend -- based on the ash when burned and the very slight felt-like halo after the dryer experience. It's definitely for outer wear, so will probably become a cabled pullover or cardigan.
As for the Condon's wool, it's much softer and will make up nicely into a hap (shawl). I have a skein of cream in the 2-ply Fine weight, plus some Briggs & Little Regal and Heritage that might complement all those browns and that pumpkin colour. Time will tell!
On the quilting front...I've finished the Thimbleberries "Sunset" top that I mentioned in my mid-December post. It measures about 60" square before quilting, and is just about the largest size I can manage to machine quilt on my own. Sandwiching and quilting will likely start next week.
Now...something for the artists!
Just before Xmas I got word from the Revelstoke Visual Arts Centre that the Art in the Park exhibit would begin in March instead of the end of January -- so I breathed a sigh of relief! The extra time means I don't have to stress about getting my pieces finished in the next 2 weeks. I have four now, all nearing completion. It's all come down to the hand-work.
The fourth one I quilted up just before Christmas -- amazing myself at my thread-sketching over traced images from photos I'd taken at the Illecillewaet Trailhead in July, as well as an adaptation of a historical photo I found online:
|Rails and Ruins (c) 2022|
32" W x 31" L
Distressed vintage tea cloth, rusted linen scraps
The quilted vignettes were inspired by what I saw at the Trailhead, by the history I found there, and by the lyrics of Gordon Lightfoot's Canadian Railroad Trilogy:
|"Once Upon a Time"|
-- a ruined wall from the old Glacier Hotel
|"Lay Down the Tracks"|
-- distant view of a rail overpass, now
|"Tear Up the Trails"|
-- ruin of a boiler in what was
a basement level of the old hotel