After the vibrancy of the Road Trip show, I found myself in a large, calm and quiet space, my footsteps echoing on the bare, hard floors. It was the perfect way to wind down from the afternoon's activities as well as to take in some beautiful, peaceful, understated work by an artist hitherto unknown to me:
Ms. Heslin was the artist found -- after some searching -- by curator Naomi Potter to pair with a collection of work by the late Jack Bush, owned by the owner of the gallery (or so the docent told me).
It seemed to me that the perfect chord had been struck by exhibiting their work together. That said, for the most part, her work is quieter and less colourful than his...and I liked it better. (grin)
Wondering why? Well...in addition to an apparent "need" for something quiet after the colour and life I'd seen at Road Trip ...it was the line made by stitch that drew me into Ms. Heslin's work. Two of her influences: the paintings of Helen Frankenthaler and the quilts of Gees's Bend. To quote the program:
Heslin's practice considers these two reference points, but seeks to engage in larger conversation beyond and outside of them, including the influence of photography and sculpture.
Heslin is not a quilter; that is, her pieces weren't two or more layers connected by stitch. Rather, she creates her work by painting fabrics -- canvas, cotton or linen -- cutting it up and stitching the shapes together. She dyes her own fabrics in small batches, using dyes and/or India inks, and revels in the textures made by scrunching up the fabric in the dye, then leaving it to dry that way.
I'll say no more...but that her work has me thinking about how to approach mine in a different way. Suffice to say that experimentation with these influences is now on my radar...