"Back to the Garden" is faced and has its label and sleeve.
In the photo at left there are 6 blocks across and 8 down. However, as of last evening, there are 7 blocks across and 8 down. Each block is 6" finished, so that's 42" wide by 48" long. However, there will be a narrow border -- 1 1/2" finished -- all the way 'round, in the blue print fabric, and binding to match, bringing the finished size to 45" wide by 51" long.
Deadline: June 22, when I fly to Montreal!
And yesterday I delivered "My Little Choia Garden" to Patti Morris, the SAQA Western Canada Co-Rep for Alberta, who's curating our next travelling exhibit, The Burgess Shale Project. This is a show of a different sort! Instead of quilt shows and galleries -- at least initially -- this two-dozen-piece exhibit will be travelling throughout Alberta elementary schools, fusing art and science, to teach kids about the Burgess Shale Fossils -- with colourful textile interpretations.
I hinted at this piece while it was under construction, but now I feel I can share it. The pieces are gathering at Patti's home in Red Deer, soon to be picked up the by the curator from the TREX program, which is hosting the province-wide school tour. TREX is run by the Alberta Foundation for the Arts; we linked into it through one of our PAM members, Barbara J. West, A.S.A. There will be cards and a book published as part of the project -- and the exhibit should be travelling for at least two years. It's our fond hope that other parts of the SAQA Western Canada Region will then be able to tap into it and move it through schools in B.C., Saskatchewan and Manitoba.
Here's the full view of my piece, which at the required 24" square, is on the large side for me:
|My Little Choia Garden (C) 2013|
And here's my accompanying Artist's Statement:
"Even shown in dull greys and browns on the RoyalOntario Museum website, the pre-historic sponges, Choia carteri, struck me as cute little critters. At the very most, these sponges were no more than three inches (7.62 cm.) across. To me, they look like little umbrellas, with their radiating spines made of spicules that they used for absorbing food from their watery environment, as they hovered over the ocean floor. I thought I’d show a garden of them, large and small, nestled on the sand at the feet of a visitor to the pre-historic ‘sea-side’. That inspired me to write this bit of doggerel for my Artist’s Statement:
My Little Choia Garden
If I could sail the Cambrian Sea
In a flat glass-bottomed boat,
What creatures therein would I see
Below the waves afloat?
Choia hover on the sand
‘Round monsters of the deep,
Sifting water through their spines
Although they look asleep.
If in a Cambrian tidal pool
I dipped my toes (Beg pardon!)
Then perhaps I’d ‘range the Choia ‘round
To make a pretty garden.
Materials: commercial cotton and batik fabric, cotton thread, polyester thread, recycled woven blanket of unknown origin, DMC © #5-wt perle cotton, poly-cotton batting.
Techniques: rough-edge appliqué, machine quilting, hand embroidery.
Dimensions: 24” x 24”
· Wonderful Life, Stephen Jay Gould, 1989;
· Royal Ontario Museum website re: Choia Carteri: http://burgess-shale.rom.on.ca/en/fossil-gallery/view-species.php?id=39&ref=i&
· “Octopus’s Garden” – Richard Starkey (Ringo Starr), 1969 – recorded by The Beatles on their album, Abbey Road"
Once I know where the exhibit will be showing, I'll post the information in case anyone is nearby and wants to check it out. I've seen the other pieces Patti's collected so far and can safely say this show will be unlike any other!
As for Starting...Self-directed Summer School resumes shortly...with dye, paint and ink studies first on the schedule. Stay tuned!